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But then again, when I do landscapes, and get the soft corners and edges, I'm at peace with it, I know they are just out of focus, the lens is not to blame, but my way of using it.
The question for me is not how sharp a lens is, or how soft it is, but rather how a lens is sharp, how a lens is soft, and how the transition between the two is handled.
It is like in art, where the artist or writer choose a set of techniques to get his or hers unique voice, and stay true to them.
I started this post because I think the lens is very underrated, when it actually is a beautiful tool, very well made.
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I have both and prefer the Elmarit on the D800E.(BTW, give a try to the new Sigma 35/1.4..) ... Some lenses are designed to win tests, some lenses are designed to take beautiful images ... I have one for all my 10 Leica R lenses, from 21mm to 400mm.
Not one of them is anyway near the Leica 35mm in center sharpness and contrast, but almost all of them are better at edge and corner sharpness.
Have a look at this astro-wide-field image: Thanks Ulfie! The other summicrons (50mm and 90mm) are very good too. Puts, the 50mm, 90mm and 135mm Elmarit R lenses are very close to their M equivalents in optical design (135 is identical if I understood correctly), but because of automatic aperture they have only 6 or 8 blades in the aperture.
The house has a nice bokeh, but very soon, towards the edges, trees and bushes starts to creep into focus again, and that un-easyness is a thing I have started to like. Here is another one, that won 1st place in the DPchallenge "Wim Wenders movie scene". the lens is not a poor performer in corners and edges like the test charts suggests, just on another focus plane. It's like the trees along the edges is fighting to re-enter the image somehow. Used Canon full frame cameras are cheap nowdays, and the adapters are only on e Bay.
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